Stella Baraklianou – The photograph as pulsating event

in Academic Service by on October 29th, 2011

Event date: 29 October 2011 
King’s Anatomy Theatre & Museum, 
6th Floor, King’s Building
King’s College London, 
Strand Campus, 
London, WC2R 2LS

THE LONDON GRADUATE SCHOOL

presents

Rhythm and Event

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Stella Baraklianou (University of Portsmouth)
The photograph as pulsating event

That photography, since its inception, has been linked to the idea of a unique event or “truth” which it necessarily records is not new. A historical trajectory of photography and its emergence is closely linked with the politics of its invention. It was due to certain technological advancements that made possible the “fixing” of an image, the very transcendental idea that a real event can be fixed in time. What if instead of looking at this record as an event fixed in time, we discuss it in its ability to constantly recreate the event? Rhythmic analysis in this instance will allow us to consider the advent not in representational terms, (depiction of subject matter, indexical nature of the photograph) but rather in terms of how the affect of this event is communicated and experienced.

Digital technology can allow for us to consider the idea of a “pulsating time” a time that shimmers and reverberates in digitally coded algorithms that translate light into strings of mathematics. Ideas pertaining to the shift in technologies (analogue technologies or crystals of celluloid) will be explored to see if this has been merely and only a condition of the changes in technology or whether there is something fundamentally consistent in the photographic event. Damian Sutton has written on the subject of the “immanent” image and digital technolgies, Gilbert Simondon on the mode of existence of technological objects whilst Georges Didi Huberman has brought to the forefront an understanding or reading of images through “responsivity”.

Drawing from the above the idea of pulsating time as event, contained yet not stilled, within the photographic frame will be considered.

Stella Baraklianou completed her research by practice doctoral degree at Goldsmiths, University of London in 2007. She is a practising artist working with photography and installation and has exhibited her work in group shows internationally. She has taught in FE and HE in the UK and

abroad, including OTIS College of Art and Design in Los Angeles, California. She currently lectures on the BA Hons Photography course at the University of Portsmouth

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Stella Baraklianou – Unruly Creatures: The Art and Politics of the Animal

in Academic Service by on June 14th, 2011



Event Date 14 June 2011
Flett Lecture Theatre
Natural History Museum
Cromwell Road (Exhibition Rd Entrance)
London SW7 5BD

 

Unruly Creatures: The Art and Politics of the Animal

The London Graduate School is holding a one-day conference at the Natural History Museum on June 14 2011 entitled ‘Unruly Creatures: The Art and Politics of the Animal’. Its purpose is to analyse and discuss the numerous ways in which animals have been used in contemporary art and the humanities, the political and philosophical implications of this use, and, especially, the manner in which animals have also resisted such employment. With examples taken from philosophy, fine art, and recent films by Phillip Warnell and Vinciane Despret, we will examine whether there is an art, politics, and thinking that is peculiarly ‘animal’.

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Unruly Creatures: The Art and Politics of the Animal

in Academic Service - Archive, conference by on June 14th, 2011



Event Date 14 June 2011
Flett Lecture Theatre
Natural History Museum
Cromwell Road (Exhibition Rd Entrance)
London SW7 5BD

 

Unruly Creatures: The Art and Politics of the Animal

The London Graduate School is holding a one-day conference at the Natural History Museum on June 14 2011 entitled ‘Unruly Creatures: The Art and Politics of the Animal’. Its purpose is to analyse and discuss the numerous ways in which animals have been used in contemporary art and the humanities, the political and philosophical implications of this use, and, especially, the manner in which animals have also resisted such employment. With examples taken from philosophy, fine art, and recent films by Phillip Warnell and Vinciane Despret, we will examine whether there is an art, politics, and thinking that is peculiarly ‘animal’.

Programme

Welcome by Professor Phil Rainbow (Acting Director of Science, NHM).

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Introduction to the conference by Professor John Mullarkey (Kingston)

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Cary Wolfe (Rice University) - Biopolitics, Biopower, and the (Non-Human) Animal Body
(AUDIO HERE)

Respondent: Wahida Khandker (Manchester Metropolitan University)
(AUDIO HERE)

Vinciane Despret (l’Université de Liège/l’Université Libre de Bruxelles) -
Experimenting with Politics and Happiness — through Sheep, Cows and Pigs
(AUDIO HERE)

Respondent: Katerina Kolozova (Institute of Social Sciences and Humanities, Macedonia)
(AUDIO HERE)

Steve Baker (University of Central Lancashire) – Dislocations in Contemporary Animal Art
(AUDIO HERE) This entry is restricted. For access please email Professor John Mullarkey


Respondent: Robert McKay (University of Sheffield) (AUDIO HERE)

Phillip Warnell (Kingston University) – Projections of Animality (AUDIO HERE)

Respondent: Stella Baraklianou (University of Portsmouth) (AUDIO HER)

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